Description | |
| Brand | Sound Machines |
| Model | Modulör 114 |
| Device | Synth |
| Type | Desktop/Rack |
| Engine Type | Analog |
| Engine | VCO |
| Voices (max) | 1 |
| Oscillators | 1 |
| LFO | 2 Saw Up, Square, Triangle |
| Noise | Y |
| Engine Detailed | 1 VCO, Pink Noise, Pulse Variable, Saw Up, Triangle, White Noise |
| Filter (VCF) | 1 12dB Slope (2-pole), Band Pass, Low Pass, Resonance |
| Envelope (VCA) | 1 Attack, Decay, Sustain, Release, Looping |
| FX | 24 bit effects processor with reverb, delay, chorus |
| Keys | 0 |
| Key type | N/A |
| Velocity | N/A |
| Aftertouch | N/A |
| Midi | USB |
| CV-gate | CV/gate I-O |
|
Produced: | 2016 |
| Legend: |
Obvious |
Y: Yes, N: No, N/A: Not Applicable |
| VCO |
Voltage Controlled Oscillator |
DCO |
Digital Controlled Oscillator |
| LFO |
Low Frequency Oscillator |
Sub |
Sub Oscillator |
| VCF |
Voltage Controlled Filter |
VCA |
Voltage Controlled Amplifier |
| Velocity |
As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. |
Aftertouch |
Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |
